An Analysis of Margaret Atwoods Siren Song Essay examples -- Siren So

An Analysis of Margaret Atwoods Siren stockThroughout her umteen years as a poet, Margaret Atwood has dealt with a variety of subjects within the spectrum of affinity dynamics and the way men and women behave in sentimentalist association. In much of her poetry, Atwood has addressed the topics of fe masculine subjugation in correlation with male domination, individual dynamics, and even female domination over males within the infrared boundaries of romantic relationships. With every song written, Atwoods method for conveying the message of the poem has remained cryptic. She uses a variety of poetic devices - sometimes layered quite dumbly - to communicate those themes dealing with human emotion. In the poem, Siren Song, Margaret Atwood employs such devices as imagery and tone to express and comment on the role of the despotic siren that some women choose to play in their relationships. Siren Song opens with the feel that the reader has just walked into a story being told by t he speaker. It even seems to give the effect of literally walking a hardly a(prenominal) moments late into a storytelling session. In this particular session, the speaker seems to be a woman portraying herself as a siren of ancient Hellenic lore. In literature, these mythological beings are most frequently described as creatures with the face of a woman and the feathered body of a bird, utter to exist as such by the goddess Demeter. They were cursed for having stood by during the snap of Demeters daughter Persephone, when Hades whisked her away to the underworld. The sirens supposedly lived on a serial publication of rocky islands and, with the irresistible charm of their songs, they lured mariners to their destruction on the rocks surrounding the islands. The ima... ... with them without denying herself the adept to exist on her own terms. She does non fear her own nature, and she is non afraid to play the dominant role. Being a siren, though, means never truly getting clos e to anyone - victims do not last desire - and so, on some level, her words must be double-edged. She may not be afraid and she may not regret the so-called deaths of these men, plainly she does seem to regret the death of something else. Perhaps this something else is her own heart, now patently incapable of normal sentiment. This siren may not only be a portrait of a specific female role in romantic relationships, but she may also be a form of definition on that role. The siren may also be seen as a depiction of the loneliness that stems from toying with the human heart. With her song, she provides a warning to the readers nigh the fate that follows such games.