Introduction to Italian High Renaissance Neoplatonism

Renaissance Hu macrocosmism was the most significant intellectual movement of the Renaissance. It was beginning in Italy and spreading to the rest of Europe such as Hungary, Poland by the 16th speed of light. It blended concern for the history and actions of homosexual bes with religious concerns. The hu populaceists were scholars and artists who studied subjects that they believed would help them better understand the problems of humanity. Its influence bear upon philosophy, politics, science, art, religion, literature and other aspects of intellectual inquiry.The central feature of humanism in this period was the commitment to the idea that the ancient would was the pinnacle of human discoverment, curiously intellectual achievement, and should be taken as a model by coexistent Europeans. At 15th Century, more detailed observation of man himself and of nature followed in the 15th century with the growth of interest in anatomy, perspective, details of nature, landscape backgr ounds, and form and color in light. Paintings of the 15th century also reflect the growing curiosity about mans achievement in Italys past.It is this preoccupation with and study of Classic finale and art that gave the Renaissance in Italy its particular character. Humanism asserted the justly of the individual to the use of his own rason and belief, and stressed the importance and potential of man as an individual. This concept cana be identified with a belief in the power of learning and science to produce the complete man. At 16th Century, christianity was added to platonic ideal Neo- platonism.Neo-Platonism in the Renaissance was the philosophy establish on the teachings and doctrines of a group of thinkers of the early Christian era who endeavored to get back the teachings of Plato with Christian concepts. It a reconciliation of Aristotelian and Platonic ideas with Christian beliefs. The Neo-Platonists, being at the same time both lovers of the pagan past with its Platonic i deals of animal(prenominal) beauty, and being Christians, wanted to fuse this pagan idealism with Christian doctrine.The art and taste during the Renaissance for complicated mythological fantasies intermingled with allegories and symbolisms tried to achieve this fusion of the Platonic idealism with Christian doctrine. The main object of the Neo-Platonic honorary society in Florence in the 15th century was the reconciliation of the spirit of ancientness with that of Chrisianity. Neo-Platonism, this philosophy was seen as the ideal balance between the Christian corporate trust and the fresh humanistic concept of mans advancement through the search for knowledge.This was due to the fact that contemplation of the spiritual rather than the physicala was believed to be the route to both Christian and Neo-Platonic salvation. Many famous renaissance artists were influenced by this philosophy and their artworks demonstrated Neo- Platonic concepts such as the synthesis of unpolluted and C hristian ideals, the idealistic portrayal of beauty, and the souls struggle from physical existence to divine perfection.